TABLE OF CONTENTS

Sergey S. Stupin

Existential Art Studies As Part Of The Anthropology Of Art: Methodological Aspect (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-10-19

How to Cite: Stupin, S.S. 2024. “Existential Art Studies As Part Of The Anthropology Of Art: Methodological Aspect“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 10-19. DOI: 10.36340/2071-6818-2024-20-2-10-19

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Maria A. Burganova

Ruins As Architecture Of Adaptability (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-20-33

How to Cite: Burganova, M.A. 2024. “Ruins As Architecture Of Adaptability“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 20-33. DOI: 10.36340/2071-6818-2024-20-2-20-33

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Yu Hangyong

National Theme In sculpture At The Chinese National Exhibition Of Fine Arts (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-34-43

How to Cite: Yu Hangyong. 2024. “National Theme In sculpture At The Chinese National Exhibition Of Fine Arts“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 34-43. DOI: 10.36340/2071-6818-2024-20-2-34-43

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Xu Jingzhu

Traditional Chinese Painting And Worldview In The Context Of Photographic Art Of The 1930s (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-44-55

How to Cite: Xu Jingzhu. 2024. “Traditional Chinese Painting And Worldview In The Context Of Photographic Art Of The 1930s“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 44-55. DOI: 10.36340/2071-6818-2024-20-2-44-55

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Anastasiia E. Zhdanova

Nicolas Benjamin Delapierre: Migrating French Painter (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-56-68

How to Cite: Zhdanova, A.E. 2024. “Nicolas Benjamin Delapierre: Migrating French Painter“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 56-68. DOI: 10.36340/2071-6818-2024-20-2-56-68

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Elena V. Samsonova

Jacopo Bellini: The Matter Of Visualising The “Myth Of Venice” (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-69-83

How to Cite: Samsonova, E.V. 2024. “Jacopo Bellini: The Matter Of Visualising The “Myth Of Venice”“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 69-83. DOI: 10.36340/2071-6818-2024-20-2-69-83

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Irina A. Fomina

The Tradition Of Antique Collecting And Its Role In The Formation Of The Mythological Painting Concept In Venetian Art (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-84-97

How to Cite: Fomina I.A. 2024. “The Tradition Of Antique Collecting And Its Role In The Formation Of The Mythological Painting Concept In Venetian Art“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 84-97. DOI: 10.36340/2071-6818-2024-20-2-84-97

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Anna A. Fisher

Social And Political Caricature By Isaac Cruikshank In The Collection Of The Lewis Walpole Library (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-98-112

How to Cite: Fisher, A.A. 2024. “Social And Political Caricature By Isaac Cruikshank In The Collection Of The Lewis Walpole Library“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 98-112. DOI: 10.36340/2071-6818-2024-20-2-98-112

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Vera N. Demina, Angelina E. Kisel

Plot And Dramaturgical Features Of A.Tchaikovsky’s Opera The Tale Of Boris And Gleb, Their Brothers Yaroslav The Wise And Svyatopolk The Accursed, The Dashing Robbers And The Good Russian People (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-113-123

How to Cite: Demina, V.N. and Kisel, A.E. 2024. “Plot And Dramaturgical Features Of A.Tchaikovsky’s Opera The Tale Of Boris And Gleb, Their Brothers Yaroslav The Wise And Svyatopolk The Accursed, The Dashing Robbers And The Good Russian People“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 113-123. DOI: 10.36340/2071-6818-2024-20-2-113-123

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Svetlana A. Pavlova

Affect Theory In The Libretto Of European And Russian Opera: From Paganism To Christianity L’Orfeo By Monteverdi And Ruslan By Glinka (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-124-139

How to Cite: Pavlova, S.A. 2024. “Affect Theory In The Libretto Of European And Russian Opera: From Paganism To Christianity L’Orfeo By Monteverdi And Ruslan By Glinka“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 124-139. DOI: 10.36340/2071-6818-2024-20-2-124-139

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Irina V. Portnova

Russian Animalism In The Perspective Of Three Centuries: About The Fate Of Genre (full text)
Article Open Access DOI: 10.36340/2071-6818-2024-20-2-140-151

How to Cite: Portnova, I.V. 2024. “Russian Animalism In The Perspective Of Three Centuries: About The Fate Of Genre“, Art Literature Scientific and Analytic Journal Burganov House. The Space of Culture, vol. 20, no. 2, pp. 140-151. DOI: 10.36340/2071-6818-2024-20-2-140-151