2026
№1.2026
- Sculpting Memory, Painting Peace: A Comparative Study Of Sino-Russian Memorial Art On The 80th Anniversary Of Victory
- The Narrative Of Ansteel In Industrial-themed Paintings Of Northeast China
- On One Distinctive Feature Of The Artistic Language Of Sculptors A. Y. Rukavishnikov And Li Xiangqun: The Principle Of “Liu-Bai” And Its Embodiment
- Dynamics And Space Of Nature In Chinese Painting And New Media Installation Art
- Neo-Confucian Cosmology And The Structural Unity Of Pictorial Reality In Chinese Landscape Painting Of The Tang And Song Dynasties
- Decorative Design Of The Interiors Of The Mogao Caves (Dunhuang) And Its Significance For Public Architecture In Western China
- The Development And Evolution Of Architectural Polychrome Painting In The Cultural And Historical Context Of The Song Dynasty (960–1279)
- Historical Roots Of Open-Air Music In The Chinese Cultural Tradition
- Adaptation Of Folk Melodies As A Method Of Working With Thematic Material In The Piano Concertos Of Guo Zujun
2025
№6.2025
- Application Of Artificial Intelligence In Lighting Technologies By The Example Of Designing Urban Street Lighting In Pereslavl-Zalessky
- The Use Of Lighting Technologies In The Digital Gaming Space On The Example Of Modern Gaming Projects
- Ecological Park Along The Gongqiu Canal
- Traditional Semantics Of Chinese Decorative Arts: Genesis And Contemporary Transformations
- Wu Guanzhong’S Artistic Legacy: Ideological Foundations And Artistic Practices
- Features Of The Formation And Development Of The Musical Art Within The Western European Tradition In Taiwan
- Evolution And Spread Of Ornamental Patterns On Silk Fabrics Of The Tang Dynasty
- One Hundred Portraits Of Gennadiy Aygi
- Morphology And Cultural Semantics Of The “Ram’s Horn” Pattern In The Ornamentation Of The Kazakh Plucked Instrument Dombra (Xinjiang, China)
№5.2025
- Precursors Of The Russian Avant-Garde. Historical And Cultural Aspects Of The Pan-European Art Space Development Of The 19th And 20th Centuries
- The Image Of Russia In Transition In The Social Comedies Of V. Bortko And Y. Mamin
- Dance In The Era Of Peter The Great: Choreography And Etiquette In A Historiographical Description
- The Origins Of Western Style In 18th-Century Suzhou Prints
- Romantic And Symbolist Approaches To Interpreting The Images And Motifs Of Dante Alighieri’s Divine Comedy In 19th-Century French Fine Art
- The Development Of The Pedagogical Principles Of The German Vocal School In The Context Of The Activities Of Friedrich Schmitt And Julius Hey
- The Interaction Of Costume And Dance In The Works Of Demétre Chiparus
№4.2025
- The Role Of Zurab Tsereteli In The Unification And Development Of The Russian Artistic Process
- Monumental Reliefs By Zurab Tsereteli
- On The Composition Of Church Art Masters In Cheboksary (Icon Painters Of The 18th-19th Centuries)
- The Issue Of Authenticity In The Reconstruction Of Lost Heritage Sites In China
- Evolution Of Architectural Forms Of Railway Stations From A Global Perspective: From Europe And America To Russia And The Chinese Eastern Railway
- The Gesellius, Lindgren, Saarinen Architectural Firm In The Formation Of The Industrial School Of Finnish Design
- Design Centres In Post-War Europe And The Professional Infrastructure Of Design In The Second Half Of The 20th Century
- Research On The Strategies Of Exhibiting Photo Art And Interacting With The Public In Photo Museums In Russia And China
- The Formation Of Socialist Realism Painting: Discussions On The Principles Of Soviet Art Of The 1920s-1930s
- The Works Of Luo Zhongli And The Birth Of Hyperrealism In Painting In New China
- Female Images In The Musical Art Of China In The First Half Of The 20th Century: Genre And Stylistic Trends Of Their Embodiment
- Style In The Work Of Contemporary Chinese Composers
№3.2025
- Sculptor Alexander Burganov. To The 90th Anniversary Of The Artist
- From Photographics To Photo Design
- Furniture Art In The Context Of The Social History Of Art: «Grand Style» Of Louis XIV
- History Of Chinese Therapeutic Gardens
- M. Dobuzhinsky’s Graphic Design Of G. Serebryakova’s Book, Nine Women: Drawn From The Epoch Of The French Revolution
- Reading: An Element Of The Structure Of The Ural Merchants’ Everyday Life In The Second Half Of The 19th Century
- A Performative Image Development In Musical Performance: The Stage Strategy Of Henry Lau
- The Efficiency Of The Russian Silhouette Competition In The Fashion Industry Development
- Christian Concept Of M. Mussorgsky’s Creativity And The Gnessin Festival: Dialogue In The Composer’s Homeland, 2025
- The Battle Genre In Oil Painting In China Of The 20th Century: The History And Heroics Of Military Events
- Eduard Steinberg – Icon Painter Of The Soviet Avant-Garde
№2.2025
- The Tree Of Liberty In The Preparatory Materials For Leo Tolstoy’s Novel About The Decembrists And The Writer’s Perception Of A Tree Image
- Some Features Of Realistic Sculpture In China In The 20th Century
- Zhang Liping. Master Of Freehand Brush Work
- Schools And Innovations: Monumental Painting Of China During The Period Of Reform And Openness
- Artistic And Semantic Features Of Zhu Da’s Animalistic Paintings
- Social And Political Cartoon By Charles Briton Based On The Designs For The Carnival Costumes «Lost Links» Of The 1873 Mardi Gras Masquerade In New Orleans
- Chinese Military Bands As Part Of The Political Life Of The Country
- A Monument As A Mirror Of An Artist. To The 80th Anniversary Of Victory In The Great Patriotic War And To The 200th Anniversary Of Stroganovka
- The Role Of The Akademicheskaya Dacha In The Creative Destiny Of Artist Valentin Sidorov (1928–2021)
- Formation Of The Organ Culture Of China: Pages Of History
- On The Artistic Originality Of Traditional Chinese Calligraphy In The Creative Work Of Zao Wou-Ki
- On The Origins Of Realism In Painting In New China
- Style As Meaning: M. Weinberg’s Opera The Passenger
№1.2025
- Transitivity, Narrative, Identity
- Aspects Of Implementation Of Chinese National Traditions In Yin Qing’s Opera. On The Example Of The Opera The Ballad Of The Canal
- Features Of The Artistic Evolution Of Chinese Graphics From Antiquity To The Qing Era
- Inclusive Design In The Art Of Public Spaces: Creating Accessible Experiences For The Visually Impaired
- The Concept Of The Animalistic Image In Russian And European Art History. A Modern Outlook On The The Genre Issues
- Christmas Cantatas By Cristofaro Caresana At The Genre Frontline Of The New Time (Suite, Concert, Op
- Last Exit Petrol Station. Concept Of The Brand And Environmental Design
- Polychrome Painting In The Architecture Of The Forbidden City In Shenyang (1625–1636): Images And Ornamental Motifs
- The Painting Cycle “The Seasons” By Pieter Brueghel The Elder: Calendar Symbolism And Its Interpretation
2024
№6.2024
- An Examination Of The Interior Decoration Of The Main Hall Of Erxianmiao Temple In Jincheng City, Shanxi Province, China
- A Study Of The Characteristic Image Of Chen Hongshou’s Woodcut “Water Margin” In The Ming Dynasty
- Western European Cartoon From The 1920s To The 1970s, Dedicated To The Theme Of Chess: Political, Social And Sporting Aspects
- Postmodernist Trends In Chinese Monumental Painting
- Contemporary Transformation Of Traditional Cultural Elements In Sculpture At China’s National Art Exhibition Since The 21st Century
- Xia Bian, The Treatise On Musical Instrumentation Of The Qing Era Palace Ceremonies During The 18th Century
- Mastering Percussion Instruments Of The European Academic Tradition By Chinese Musicians In The 20th‐21st Centuries
- Academic Music In The Repertoire Of The Southern Military District Bands In The Second Half Of The 20th Century
- The Ladder Of Divine Ascent In A. Dargomyzhsky’s Opera Rusalka Based On Pushkin’s Poem On The 225th Anniversary Of A. Pushkinentury
- Patriotism As A System-Forming Principle In The Genre-Thematic Paradigm Of Fine Arts In North Korea
- The Beidahuang Print School In China During The Reform And Opening-Up Period
- The Cityscape Genre In Oil Painting During The Republic Of China (1912–1949)
№5.2024
- Francesco Di Giorgio, Bramante, And Leonardo: Architectural Thought On The Eve Of The High Renaissance In Italy
- Initiation. Narrative. Identity. On The Relationship Between The Compositional Units Of The Narrative And Initiation Rites
- Social, Political And Sports Aspects In Russian Cartoons Of The 1920S‑1970S, Dedicated To The Theme Of Chess
- On The “Catechisation” Of The Theatre Genre In M. Glinka’s Works. The Opera A Life For The Tsar. Dedicated To The 220th Anniversary Of The Composer. Essay I
- Province. 1830s By Mstislav Dobuzhinsky: Artistic And Literary Sources
- Portraits Of Contemporaries In Nikolai Dronnikov’s Prints
- Stylistic Evolution And Innovation Of Contemporary Sculpture At The 14th National Art Exhibition Of China
- Trends Of Biomechanics In Reforming Traditional Chinese Theatre
№4.2024
- The Promised Novelty of Mussorgsky’s Folk Dramas
- Synthesis in Alexander Matveyev’s Creative Work
- The Industrial Design Model in Italy at the Stage of Formation. The Aemilia Ars Group
- The Montage Concept in the Play Roar, China! (The Meyerhold State Theatre, 1926) and in Traditional Chinese Theatre
- The Art Of Sculpture In Public Space In China: The Wasteland Art Project
- Su Furniture Of The Ming Dynasty In The History Of Chinese Furniture Art. Characteristics Of Furniture In The Jiangsu And Zhejiang Regions
- Futuristic Design Of Ethnic Clothing Using 3D Technologies
- Accessibility And Expansion Of The Narratives’ Space: Convergent Technologies And Semiotics Of Exposition In An Art Museum
№3.2024
- Semantics Of A Night Garden In L. Tolstoy’s Story “Two Hussars”
- Formation Of Artistic Styles In Landscape Painting Of Northern China At The End Of The 20’th – Beginning Of The 21’st Century
- Symbolism Of The Three Friends Of Winter Plant Motif On The Traditional Chinese White And Blue Qing Hua Ci Porcelain
- Thematic Sculptures In Chinese National Art Exhibitions Since The Reform And Opening-Up
- “The Myth of Venice” in the Drawings of Jacopo Bellini – Other Facets of Imagery
- Small Forms Of Ancient Plastic Art In The Context Of The Mythological Themes Of The Venetian Renaissance
- Fashion Illustration: Retrospective And Modern Resources
- Creative Impulses Of Ancient Russian Art And Present-Day Dynamics In A. Smirnov’S Artistic Search
- Classical Philosophical Views On The Essence Of A Woman: The Experience Of Reflection In The Context Of Power
- High Art Of Russian Pop Music In The Song Mono-Opera Reflection
- The Influence Of Artistic And Design Activities On The Formation Of Design Thinking Among Schoolchildren
№2.2024
- Existential Art Studies As Part Of The Anthropology Of Art: Methodological Aspect
- Ruins As Architecture Of Adaptability
- National Theme In sculpture At The Chinese National Exhibition Of Fine Arts
- Traditional Chinese Painting And Worldview In The Context Of Photographic Art Of The 1930s
- Nicolas Benjamin Delapierre: Migrating French Painter
- Jacopo Bellini: The Matter Of Visualising The “Myth Of Venice”
- The Tradition Of Antique Collecting And Its Role In The Formation Of The Mythological Painting Concept In Venetian Art
- Social And Political Caricature By Isaac Cruikshank In The Collection Of The Lewis Walpole Library
- Plot And Dramaturgical Features Of A.Tchaikovsky’s Opera The Tale Of Boris And Gleb, Their Brothers Yaroslav The Wise And Svyatopolk The Accursed, The Dashing Robbers And The Good Russian People
- Affect Theory In The Libretto Of European And Russian Opera: From Paganism To Christianity L’Orfeo By Monteverdi And Ruslan By Glinka
- Russian Animalism In The Perspective Of Three Centuries: About The Fate Of Genre
№1.2024
- Michelangelo and His Age
- Mattew Locke. “Music For His Majesty’s Sackbuts And Cornetts” (1661)
- Pedagogical Principles of the Old Italian Vocal School
- specificity of vocal-performing interpretation of g.puccini’s opera la bohème in opera houses of china at the beginning of the 21st century
- Modest Mussorgsky. Boris Godunov and Khovanshchina: The Truth About “Gossip”
- Key Features of Anti-Napoleonic Caricature in the Collection of the Patriotic War of 1812 Museum
- Representation and Role of the Rupture Motif in Media Culture of the Late 20th – Early 21st Centuries
- New Trends In The New Urbanism Movement Of The 2010s Demonstrated By Russian And Foreign Examples
- Architecture and Public Art of Jiangxi City Museum
- collector chen fengyue and the harbin russian art museum
- Time Perception and Narrative Creation in Contemporary Chinese Photographic Works
2023
№6.2023
- The Notions Of xie-shi («writing reality»), xie-yi («writing idea») And Their Relationship To Realism
- Architect Yo Ming Pei. The Art Of Architecture Of Museum Buildings
- Musical Activity Of Christian Missionaries At The Court Of The Qing Emperors Of The 17th–18th Centuries
- Trumpet In The Orchestral Score of “Ode on St. Cecilia’s Day” (1692) By Henry Purcell
- The Transformation Of Don Juan. Essays On The Dramaturgy Of Alexander Dargomyzhsky’s Opera The Stone Guest. Dedicated To The 210th Anniversary Of The Composer
- The Formation Of Chinese Primary School Students’ Musical Culture
- The Golden Sands Musical (金沙): On The Formation Of A Genre Archetype In China
- The Role of French Pressed Glass In The Development Of The Meissen Porcelain Manufactory
- Features Of Coloring Of Northern Seascapes Of The Second Half Of The 19th – Early 20th Centuries
- Multimedia Design Proxemics In The Organization Of Trade Exposition As A Sociocultural Phenomenon
- Expressive And Descriptive Functions Of Ornamentation In The 17th Century Vocal Music
№4.2023
- The Underwater Museum by Jason deCaires Taylor. From Environmental Issues to Dialogues About Art
- Stavropol Memorial By Vutke In The Context Of The Historical Memory Concept
- The Social Memory as the Value of Sustainable Tertiary Education
- The Present Situation of China Calligraphy as a Cultural Phenomenon
- On The Question Of Clarifying The Name Of Zhu Da (1626–1705) And Its Origin
- Photography Festivals And Fairs: Showcasing New Ideas In Photography
- Chinese and Russian Approaches to Understanding the Problems of Screen Adaptations and Animated Adaptations
- On the Question of the Spatial and Volumetric Possibilities of Monody
№3.2023
- New Directions of Modern Museum Policy
- Wu Cheng’en’s Novel “Journey to the West” And Its Resources For Animated Adaptations
- Realist Sculpture in China —— Discovery and Formation of Art Method
- Contemporary Chinese Sculpture Overview
- Style In The Artistic Work Of Vyacheslav Zaitsev
- The Generation of Ornaments Using Artificial Intelligence
- Generative Practices in Creative Industries: the Phygital Aspect of Artistic Design
- Yin Biao’s Compositions For Classical Guitar: On The Question Of The Embodiment Of Folk Music Making Traditions
№2.2023
- A Carved Figure of Saint Demetrius of Thessalonica in the Eponymous Aisle of the Assumption Cathedral of the Moscow Kremlin. The Relic and its Sculptural Embodiment
- The Role Of The Sky Motif In The Development Of Konstantin Levin’s Storyline In Tolstoy’s Novel Anna Karenina
- Robert Falk and Italy
- Eugene Lanceray’s Equestrian Statues: The Royal Falconer Of The 16th Century And Kyrgyz With A Golden Eagle
- Art And History Of Byzantium In The Work Of Artist-jeweller Eduard Nikitin
- In Defence Of A “Poor” VR Image
- The Latest Practices In Motion Graphics Display: The DEMO Design In Motion Festival
- Design In Books For Newborns
№1.2023
- Catherine The Great: The Architectural Biography
- The “Old English Garden” And The Search For A New Style In Theoretical Treatises Of The Late 19th – Early 20th Centuries
- Palladian Architectural Utopia Of Haga Palace
- The Image Of A Russian Ballerina In German Porcelain
- Material Characteristics Of Traditional Chinese Furniture
- The Phenomenon Of Post-Internet Art: Artistic Strategies And Place In The Field Of Contemporary Art
2022
№6.2022
- The Semantic And Artistic Evolution Of Images Of Nicholas The Wonderworker. Russia And The West
- Unforgotten Names. Mikhail Belashov And Georgy Kranz
- Museum Of The Future. New Image And New Mission
- Outdoor Performative Practices Of Modern Theatre
- Preliminary Results Of The Flight. Maria Burganova’s Art
- Contemporary Chinese Sculpture Promoting The “Idea Of China” (The Case Of Cao Chunsheng And Deng Ke)
№5.2022
- Formation Of The Iconography Of The Theme Of The Scholars’ Study In Dutch Painting Of The XVII Century
- On The History Of The Palladian Architecture In British Colonies. On The Example Of The Singapore Architecture In The First Half Of The 19th Century
- The Era Of Joy. Advertising Poster Of The 1860s–1890s As A Continuation Of The Laughter Culture Of The European Middle Ages
- Eisenstein’s Two Concepts Of Montage And The Evolution Of The Soviet Avant-Garde In The 1920s‑1930s
- Orthodox Singing Culture Of The Ossetians In The Context Of The Christianisation Of The Ethnos
- The Main Stages Of Formation And Development Of The 24th Military Band Of The Joint Strategic Command Of The Southern Military District: Traditions And Modernity
- Design Features Of Books With Augmented Reality For Preschool Children